Dracula Together for the first time: Vampire Over London – Bela Lugosi in Britain (2nd Edition), A Quaint & Curious Volume of Forgotten Lore – The History & Mythology of Classic Horror Films and I Saw What I Saw When I Saw It – Growing Up in the 1950s & 1960s with Television Reruns & Old Movies (each available separately) in a collector’s boxed set. Abbott plays Chick and Costello is Wilbur, a couple of freight handlers that suddenly find themselves menaced by the horrific trio. This is more of a sequel to The Wolf Man films than a sequel to Ghost of Frankenstein, with the Frankenstein Monster just tossed in for added drama. They are enjoying a train journey when a double booking means they are forced to share their compartment with a stranger, Dr Vitus Werdergast (Lugosi). Physician Lady Jane Ainsley (Frieda Inescort) realizes that a vampire is on the loose and with the help of a friend (a werewolf), she locates the coffin and drives a stake through the night creature’s chest into his heart. Bela is filmed in a darkened room sitting on a living room chair with some odd props about: a skull, assorted lab equipment, test tubes. All rights reserved. He’s also roped in Boris Karloff’s escaped prisoner to do his bidding, disfiguring him through surgery and promising to change fix his looks in return for complaisance. Made in Hong Kong (Masters of Cinema) Blu-ray Review, Robert Florey, Edgar G. Ulmer, Lew Landers, Bela Lugosi, Boris Karloff, Sidney Fox, Jacqueline Wells, David Manners, High Definition Blu-ray (1080p) presentations for all three films, with, “The Tell-Tale Heart” episode of radio series, New Interview with Critic And Author Kim Newman, PLUS: A 48-PAGE collector s booklet featuring new writing by film critic and writer Jon Towlson; a new essay by film critic and writer Alexandra Heller-Nicholas; and rare archival imagery and ephemera. The box is beautifully designed and contains delightful “Easter eggs” of hidden treasures for those who unfold it. The talking werewolf adds a bit of incidental humor to the preceedings, but it is clearly Lugosi’s show.
Son of Frankenstein (deserved an Oscar for Ygor!) Enjoyed your piece. The films included on this 2-disc set are Murders in the Rue Morgue (1932), The Black Cat (1934) and The Raven (1935). However, several biographers have disputed Lugosi’s “star” ranking during that period. This is truly Lugosi’s finest hour as he shines as the sinister hunchback. Some critics have been dismissive of this film, but I believe that it is one of Lugosi’s best performances. 25 years is apparently not enough time to have passed; the villagers are still bitter about what happened the last time a Frankenstein was in town. Talk about an all star cast: Basil Rathbone (Sir Joel Cadman), Akim Tamiroff (Odo), Lon Chaney Jr. (Mongo), John Carradine (Bohemond), Bela Lugosi (Casimir), Tor Johnson (Curry); literally a who’s who of horror, but the overall film is a plodding mish mash of mad scientist plot mixed up with some body snatching story. The world lost a great actor who is fondly remembered for his many horror film appearances. We appreciate your support. Teamed up with cinematography from Karl Freund (The Golem), Murders is a exercise in too much style over substance, with Florey unable to utilize the talents that he has before him.
Universal certainly struck paydirt with this film as it was cheaply produced, but was the second highest grossing of all the Universal films that year. All rights reserved. Leon Ames, who lived until 1993, would later be embarrassed by his work on it. Intermingled into these scenes are a strange dream sequence and a flashback within a flashback (narrative structure be damned!). All three have been beautifully restored in … Ygor (Lugosi) who has miraculously survived being shot multiple times by the villagers is reunited with his old pal and the two pick up from where they left off. Essentially a battle of wills between Lugosi’s Vitus Werdegast, just released from 15 years in a PoW camp in Siberia, and Karloff’s ostentatiously widow’s-peaked satanist Hjalmar Poelzig, it’s two icons revelling in an enmity that may, or may not depending on who you believe, have spilled over into real life. Seeing Abbott & Costello Meet Frankenstein made Frank a dedicated “Monster Boomer,” one of his generation fascinated with old horror films.
Abilene).
After he saves the life of the beautiful Jean (Irene Ware), Vollin goes mad after her father insists he can’t pursue her romantically. A Quaint & Curious Volume of Forgotten Lore delves into the onscreen and offscreen mysteries in classic horror films.
Director Robert Florey uses flourishes of German Expressionism to create and sustain a sinister atmosphere, and some of the special effects achieved by mixing model work with studio sets are highly impressive. The Wolf Man’s makeup was designed and created by Jack Pierce, the man responsible for Boris Karloff’s makeup for both Frankenstein and The Mummy (1932). Much more successful is The Black Cat. The musician follows up her debut with a new collection of songs. Which classic Phantom of the Opera is your favourite? Return of the Vampire (should have been titled “Return of Dracula”) That’s perhaps a touch modest of Ames, but certainly it’s Lugosi who steals the show. This time around the monster (Boris Karloff) is incapable of speech; he moans and grunts, he is literally no more than a killing machine manipulated into executing the will of the bitter Ygor. The Corpse Vanishes. It’s also the weakest. Lugosi was also the subject of ” Bela Lugosi’s Dead “, the first single by the English band Bauhaus. Poor Bela plays a mute man servant that has lost his powers of speech due to Sir Joel’s scapel. Once again we find Lugosi and Karloff paired up together in the hopes that the two of them would conjure up some magic, but the only worthwhile thing happening in this low budget wonder is that Lugosi really rules this picture with his fiendish chuckle and diabolical plans. Bela portrays Murder Legendre, the owner of a sugar mill in Haiti that is manned by zombies that do all of the labor. When visited by fellow countryman Professor Strowski (George Becwar), Lugosi’s Varnoff even gets to deliver a heartfelt speech.
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