Joanna grows frustrated when Bobbie refuses to engage with her in a meaningful way. In it, Joanna Eberhart, her husband Walter, and their two young children move from New York City to the eponymous Connecticut commuter-town. Its plot follows a woman who relocates with her husband and children from New York City to the Connecticut community of Stepford, where she comes to find the women live unwaveringly subservient lives to their husbands. Loneliness quickly sets in as Joanna, a mildly rebellious aspiring photographer, finds that the women in town all look flawless and are obsessed with housework, but have few intellectual interests. "[15], Goldman later claimed the film "could have been very strong, but it was rewritten and altered, and I don't think happily. Some time later, the artificial "Joanna" placidly peruses the local supermarket amongst the other "wives," all glamorously dressed. Walter demands that Joanna go up to her room and lie down, which she eventually does but not before locking herself in after a physical confrontation with her husband. Both versions were filmed in various towns in Fairfield County, Connecticut, including Redding, Westport, Darien, New Canaan, Wilton and Norwalk. In an attempt to gather her children and leave town, Walter startles Joanna and tells her that they are away from home with their "friends." She visits the library and researches the pasts of Stepford's wives, discovering that some of the women were once feminist activists and very successful professionals and that the leader of the men's club is a former Disney engineer and others are artists and scientists, capable of creating lifelike robots. In this film, instead of being androids, the wives underwent a brainwashing procedure and then took pills that kept them hypnotized. the Extra-Terrestrial, appears as Charmaine's maid. Joanna Eberhart is a young wife who moves with her husband Walter and their two daughters from Manhattan to the idyllic Fairfield County, Connecticut, suburb of Stepford. [11] When she left after a few weeks of production, she was replaced by Paula Prentiss.[11]. It was directed by Frank Oz and featured Nicole Kidman, Bette Midler, Matthew Broderick, Christopher Walken, Roger Bart, Faith Hill, Glenn Close and Jon Lovitz. Filmed in Connecticut in 1974, The Stepford Wives premiered theatrically in February 1975. A 1980 made-for-television sequel was titled Revenge of the Stepford Wives. Ultimately, still photos depict a smiling Walter driving the family car, picking up his new "Stepford Wife" from the supermarket with their children in the backseat. When Charmaine returns from a weekend trip with her husband as an industrious, devoted wife who has fired her maid and destroyed her tennis court, Joanna and Bobbie start investigating, with ever-increasing concern, the reason behind the submissive and bland behavior of the other wives. Bobbie's husband and son are upstairs, with loud rock music playing as if to cover screams. Goldman's treatment of the book differed from that of Forbes, with the robots closer to an idealized Playboy Bunny; it has been claimed that the look was scrapped when Forbes' actress wife Nanette Newman was cast as one of the town residents.[2]. You could also do it yourself at any point in time. The story concerns Joanna Eberhart, a photographer and young mother who suspects the submissive housewives in her new idyllic Connecticut neighborhood may be robots created by their husbands. The protagonist is Joanna Eberhart, a talented photographer newly arrived from New York City with her husband and children, eager to start a new life. [9] Jean Seberg was considered, but declined the part. Another film titled The Stepford Wives was released in 2004. As they make their way through the store, they each vacantly greet one another. The premise involves the married men of the fictional Fairfield County town of Stepford, Connecticut and their fawning, submissive, impossibly beautiful wives. '"[8] Despite Betty Friedan's The Feminine Mystique being a major influence on the original novel upon which the film was based, Friedan's response to the film was highly critical, calling it "a rip-off of the women's movement. As time goes on, she becomes increasingly disturbed by the submissive wives of Stepford who seem to lack free will, especially when she sees her once independent-minded friends, fellow new arrivals to Stepford, turn into mindless, docile housewives following a romantic weekend. Congratulations on this excellent venture⦠what a great idea! [29] In 2004, Paramount Home Entertainment re-released the "Silver Anniversary" edition, which featured the same bonus materials and screen menus.
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