1. Had he pursued that direction with the same relish as he indulges his inner riff-monger on Dead Cross, he could have added a whole new dimension. Dead Cross is a band that had my attention as soon as I heard that Dave Lombardo was associated with it. You’d expect this particular bunch of musicians to push each other out of their respective comfort zones just a bit more—even if Patton came aboard after the music was already finished. It was probably the best decision they’ve ever made.
Dead Cross: Dead Cross review – energetic rock supergroup ups the ante 5 / 5 stars 5 out of 5 stars. Dead Cross’ comely disquiet is bathed in that inimitable Patton charisma, and his vocals add in so many diverse elements that Lombardo and co cannot have foreseen. Please deactivate your ad blocker in order to see our subscription offer.
The grindcore influence of the Locust on “Divine Filth” helps to foreshadow much of the beating the listener’s eardrums are bound to receive. Sign up below to get the latest from Classic Rock, plus exclusive special offers, direct to your inbox! Stay up to date on the latest news, reviews, interviews and more.
In short, Patton makes it fun . The overzealous and abrasive decisions in timbre were quite enjoyable and important, but much of the music never matched the sonic intent with, The overzealous and abrasive decisions in timbre were quite enjoyable and important, but much of the music never matched the sonic intent with the bad melodic rhythm, lack of linear direction, and poor solo vocals, which left the overall awesome creativity to an inadequate musical foundation. “Shilelagh” finds him doing more angry punk ranting, which almost sounds like a more feral version of the harder rocking moments from King For A Day, Fool for a Lifetime.
They combine elements of thrash, grindcore, powerviolence, black … Which makes the self-titled debut from Dead Cross a rare and impressive exception. The Dead Cross self-titled LP (Ipecac) is a delightful collection of hardcore and thrash, with bits of surprises strung throughout. “Idiopathic” rides the line between noisy chaos and an actual song that makes sense in its abrasive collision with your ears. Each track doesn’t just bleed into the next, they hemorrhage into one another like the elevators at the Overlook Hotel. Retox guitarist Mike Crain’s squalling, shreddy riffs nod smartly both to 80s Bay Area punk and the more contemporary mathcore of the Dillinger Escape Plan and Botch, while Patton, sounding more energised than he has in years, puts his elasticated vocals to good use, barking, yelping and cooing his way through the sludgy Gag Reflex, the pulverising crust punk of Idiopathic and even a surprising cover of Bauhaus’s post-punk classic Bela Lugosi’s Dead.
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have ever cut a record that could be demonstrative of the hardcore idiom. All rights reserved.
Similar Albums: The Faith No More frontman, known by most of the populace alive in the 80s and 90s for a rap-rock song about masturbation (the epic “Epic”), has been at the helm of some pretty aggressive groups.
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Mike Patton has never fronted a band like this. All Rights Reserved.
So it follows that the self-titled debut by Pearson, Crain, Lombardo, and Patton under the name Dead Cross would crackle with irreverent verve.
And with Patton on the mic, this album effortlessly eschews the trappings of hardcore’s old, tired formulae. Iron Reagan – Crossover Ministry Their self-titled debut is a whirlwind of relentless, noisy experimentation. Dead Cross is consistently weirder than Faith No More, and consistently more aggressive than Slayer. As sonic window-dressing, the end of “Seizure and Desist” certainly whets the appetite, but it also highlights what’s missing most in this supergroup.
My Score: 91/180 (Deficient) = 5.1/10, The 25 Best Console Launch Games (Since 2000), Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by, The paperwork explosion And what a bucket list moment for Pearson and Crain to bookend these two pillars of metal evolution, a dream come true that can be enjoyed vicariously by anyone who ever wished to jam with their heroes. (Ipecac Recordings) Gwilym Mumford.
Receive news and offers from our other brands? The reckless, spastic moments are the least compelling ones, yet where Dead Cross does excel is in adding a layer of darkness, as heard on their concise cover of Bauhaus’ “Bela Lugosi’s Dead.” Dead Cross’ debut has the potential to be a grower, but its intensity is worth celebrating regardless. August 4, 2017. To hear Patton and Lombardo celebrate their fifties with their most visceral work yet is absolute magic. Patton, for his part, trades off screams, squeals and singing.
Like Edvard Munch's "The Scream" set to music, "There’s a message, but the message is not necessarily clear, and that’s by design."
Shares . For whatever reason, Pearson and Crain chose not to weave more strangeness into the main body of the songs. When SoCal punk-metal troupe Dead Cross found themselves without a singer in 2016, they turned to Mike Patton to take up the mantle. Dead Cross add more of a thrashing speed for “Obedience School.” Lombardo’s recent gig with Suicidal Tendencies suggests he’s gotten more comfortable with straightforward pummel, while if he had come fresh out of Slayer then he might have been in a mode to add more finesse and intensity. On paper, the matchup of Mike Patton with former Slayer drummer Dave Lombardo, the Locust/Retox bassist Justin Pearson, and Retox guitarist Michael Crain suggests creative possibilities galore.
It reunites Slayer drummer Dave Lombardo with Faith No More wild man Mike Patton (the two previously appeared together in oddball metal outfit Fantômas) for a ferocious burst of inventive, hardcore punk that never stays still long enough to get predictable. In fact, the singer comes off more focused and direct as he has since that first Tomahawk LP, especially as he revels in the genre’s goth undertones during an unhinged cover of the Bauhaus classic “Bela Lugosi’s Dead”. Pitchfork is the most trusted voice in music.
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A supergroup is often anything other than super; in fact, they’re generally a terrible exercise in folly.
There was a problem. ‘Eddie Van Halen was a far better man than I'll ever be,’ says Gene Simmons, ‘Your days are numbered’, Jon Bon Jovi warns President Trump, The Struts' Luke Spiller: I wanna play Joe Elliott in a Def Leppard movie, The Struts master the classic rock arts on third album Strange Days, Tyler Bryant & The Shakedown's Pressure is a true coming of age. They combine elements of thrash, grindcore, powerviolence, black metal and even goth. The album also starts off much darker than expected with “Seizure and Desist,” which is loaded with a great deal of noise. This is may collect user data.
“Gag Reflex” is more metal than not, but the influence of bands such as Black Flag and Steel Pole Bathtub, as well as ’90s-era Amphetamine Reptile Records, can be found here. This is the debut full-length release for the hardcore punk band that includes Dave Lombardo, Mike Patton, Michael Crain, and Justin Pearson. These are no small feats. The difference being for instance in a band like Faith No More, Patton demonstrated the versatility of his voice with each song, but with Dead Cross, he's making that style switch with each line delivered. It would be easy to go into Dead Cross, the new hardcore/metal supergroup fronted by Mike Patton, expecting it to be another take on what he did with Fantomas, considering that Dave Lombardo of Slayer fame also sits on the drum throne for this band. For Dave Lombardo fans, Dead Cross will be more of a stretch. All this publication's reviews ), I can’t recommend this enough. The thrashing tempo then switches gears, ending in a 40-second ambient noisescape that sounds something like digitized seagull calls echoing over a vast space—the type of thing you’d expect from Pearson and Patton. On one hand, as far as songwriting goes, Patton has an abundance of energy, though the melodies here aren’t necessarily among the best of his career. A slob on a slab All Rights Reserved. Retox – Beneath California There are some moments that are more blatantly metal than others, however. 1 Min Read.
He of legendary Slayer fame (as well as Grip Inc. and Philm) can do no wrong. In short, Patton makes it fun. Dead Cross - Dead Cross album review Mike Patton’s latest adventure makes an art of noise By Briony Edwards 16 July 2017. Yes, the music this band makes is undeniably fun—Dead Cross bounces along with so much pep you could almost consider it a party record.
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