Inventing an extraterrestrial language? Christina Dalcher, Ph.D. (@CVDalcher) is a theoretical linguist specializing in the phonetics and phonology of sound change. It’s based on an award-winning story by Ted Chiang about a linguist who’s tapped to decipher the language of a newly-arrived alien species.
Later in the movie, Adams' Louise discovers that the symbols can be divided into 12 segments, with each logogram mixed and matched from various graphical elements to create complex words and phrases. Her research covers the physical, cognitive, and social forces contributing to variation in Italian and British English, and she has held faculty positions in the US, UK, and UAE. But "Arrival" still boasts great visual complexity. I don’t recall Louise ever mentioning the term “Swadesh list” in the film, which is a shame, because the list of one hundred words, originally chosen for cultural-independence and maximal availability across languages, is a terrific tool. Nice work here rebutting Weber’s insistence that the six-word question isn’t complicated. Retrieved from http://la-screenwriter.com/wp-content/uploads/2016/12/arrival.pdf. "It’s an artistic idea of how complex a language could be, how different a language could be," a linguist who worked on "Arrival" tells us. Exceedingly intelligent, but basic enough for us humans to crack. Inventing an extraterrestrial language? Read Sample. "So I said, 'Yeah, sure, have a go.' What first turned me off (and made my inner linguist choke on her wine) was Louise’s classroom claim that Portuguese sounds different from other Romance languages because it was seen as an “expression of art.” Here’s the quote: “The way it was written and spoken was rooted in aesthetics.” First, I’ve never heard that before. Heisserer, E. Film Script.
The final look initially resembled ink in water, but Vermette thought that was "a bit obvious." And the next day I went to work, and at night I came back and on the dining table there was 15 different logograms.".
When I see the word ‘linguist’ in a book blurb or a movie synopsis, my ears start twitching like a bloodhound on the scent. There’s no need to make Louise a polyglot (apparently she was fluent in seven languages by the time she was sixteen because her father was relocated every year to a new country). Yet no one thinks Koreans have some unworldly ability to see future events. "We actually started from there," says Vermette, "and then began isolating the parts of the original 15 logograms that we liked. On the one hand, we see Louise lecturing on historical linguistics near the beginning of the story; later, she’s portrayed as translator, acquisition expert, and fieldwork specialist. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers. Arrival is a challenging piece of science fiction, blessedly meant for adults, and about smart grown-ups at that. What followed was some "reverse-engineering" to produce a cursive language that had different inkblot-like shapes and built-in animation depending on the desired word. A perfect Ling 101 lesson occurs when Louise shows the difficulty of asking a question like “What is your purpose on Earth” before establishing the Heptapods’ comprehension of the question’s parts: the nature of interrogative structures, the collective “you” versus specific “you,” the lexical semantics of each word in a larger phrase, etc.
Check it out. We should connect. All fine films and books, but my inner linguist sulks after watching or reading them.
Arrival’s utopian vision presents us with the apogee of this: it offers a possible future in which all nations are united and in communication. I’d be interested in hearing your take as well after you’ve seen the flick!
Intelligible, but cryptic. You got it—that one where young Hannah asks Louise about a technical term (non-zero-sum game) and Louise responds with “You want science, call your father.” Whew.
It’s science.” I won’t disagree that language and science are different creatures, but this would have been a perfect opportunity for our leading lady to mention that linguists are scientists. To make matters worse, Hannah wasn’t asking about science—she posed a vocabulary question. A Vegas magician infiltrates a secret medieval world where magic is real. I’ll bet that if twelve Heptapod-driving vehicles suddenly show up on Earth tomorrow morning, the people in charge will be looking for more than one linguist. Click on the big red X on the top right to close this box. Happy to answer any further questions! Vermette reports Villeneuve said upon seeing them.
It is. Most of the time, disappointment lies at the end of the hunting trip: the linguist is a translator (The Interpreter, 2005); the main character is a hyper-polyglot (The Informationist, 2011 [novel]); the plot turns on the unintelligibility of languages (Enemy Mine, 1985; Windtalkers, 2002); the filmmakers employ a clever linguisticky gimmick, like putting all the dialogue in Latin, Hebrew, and reconstructed Aramaic with subtitles (The Passion of the Christ, 2004); the linguist could easily be replaced by an X-ist without altering the story’s substance (Still Alice, 2014). (Interestingly, it wasn’t a linguist at all who worked behind the scenes in development of the code that analyzed Heptapod B—that job went to programmer Christopher Wolfram.). Science and technology have starring roles in a wide range of genres--science fiction, fantasy, thriller, mystery, and more.
Inventing an entire language could take a century. Perhaps the most obvious example is in the alien's written language. This article on the linguistics in Arrival is part of the Science in Sci-fi, Fact in Fantasy blog series. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. Thanks, Ellen! That’s what we do in truth-conditional model-theoretical semantics.” And the scene that made my inner linguist fire spitballs at the television? Worse, Ian the Physicist (not Louise the Linguist) is the one who points out the structural ambiguity of the Heptapods’ “Offer weapon” transmission. […] Arrival is one of the best sci-fi films I’ve seen in recent memory. Plus, one year seems a rather short period of time to acquire a language.
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