This emotive marble shows Saint Teresa in a rapturous moment as she is visited by an angel. [a] The selected site for the chapel was the left transept that had previously held an image of 'St. Below the labyrinthian swirls of fabric St Theresa leans, head back, on a cloud, clutching at air, toes curled. In her autobiographical works, St. Teresa often wrote about visions of celestial beings, some of which literally penetrated her heart with fiery arrows. There, he sculpted The Ecstasy of St. Teresa, a dramatize depiction in which St. Teresa of Avila, the founder of the Caramelite order of… The most internationally successful Czech underground group the Ecstasy of Saint Theresa named themselves after the sculpture. In St Peters Basilica, Bernini slaved over the ... With perhaps the most exquisite and dense collection of Bernini works in Rome, the Borghese collection features some of the artist’s earliest works, from his late teens and early 20s. We know that an important goal of Baroque art is to involve the viewer. The Ecstasy of St. Teresa is perhaps one of the most controversial on Bernini’s works, largely because of his depiction of the saint herself in a state of what appears to be profane physical pleasure. The Ecstasy of Saint Teresa is a white marble sculpture that was created by Gian Lorenzo Bernini. Santa Maria della Vittoria (Our Lady of Victory) hosts one or the most amazing Baroque masterpieces: the ecstasy of St Teresa, by Gianlorenzo Bernini. Cornaro had chosen the hitherto unremarkable church of the Discalced Carmelites for his burial chapel. This sculpture was based on Saint Teresa who was canonized by the Catholic Church based on her writings of her visions she experienced with an angel from God. "[10], Media related to Ecstasy of St Theresa by Bernini at Wikimedia Commons, He had reason to avoid burial in Venice, since his appointment as a cardinal by, Italian Baroque Sculpture : Books : Thames & Hudson, "Web Gallery of Art, image collection, virtual museum, searchable database of European fine arts (1000–1900)", "The Lie (Bernini's Saint Theresa) de Peter Hammill", "A Field Guide to Occurrences of Bernini's Ecstasy of St. Teresa in Infinite Jest – Infinite Detox", The Goat Amalthea with the Infant Jupiter and a Faun, Busts of Cardinals Agostino and Pietro Valier, Busts of Paolo Giordano and Isabella Orsini, Boncompagni Ludovisi Decorative Art Museum, Museo Storico Nazionale dell'Arte Sanitaria, https://en.wikipedia.org/w/index.php?title=Ecstasy_of_Saint_Teresa&oldid=1014016066, Short description is different from Wikidata, Pages using infobox artwork with the material parameter, Articles containing Italian-language text, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. Saint Teresa wrote several books in which she described her visions. Southern (Italian) Baroque. The art historian Rudolf Wittkower wrote: In spite of the pictorial character of the design as a whole, Bernini differentiated between various degrees of reality, the members of the Cornaro Chapel seem to be alive like ourselves. . [9] As Bernini biographer Franco Mormando points out, although Bernini's point of departure for his depiction of Teresa's mystical experience was her own description, there were many details about the experience that she never specifies (e.g., the position of her body) and that Bernini simply supplied from his own artistic imagination, all with an aim of increasing the nearly transgressively sensual charge of the episode: "Certainly no other artist, in rendering the scene, before or after Bernini, dared as much in transforming the saint's appearance. Perhaps they are kneeling in prayer as they watch and discuss the scene of the Ecstasy of Saint Teresa. The architecture that will be studied is Michelangelo’s dome of St. Peter’s Basilica and Bernini… Saint Teresa describes her intensely spiritual experience in very physical, even sexual terms. The Ecstasy of St Teresa by Gian Lorenzo Bernini, Santa Maria della Vittoria, Rome. He was not tall but short, and very beautiful; and his face was so aflame that he appeared to be one of the highest rank of angels, who seem to be all on fire. The greatest single example of Gian Lorenzo Bernini’s mature art is the Cornaro Chapel in Santa Maria della Vittoria, in Rome. Located above the altar of the Cornaro Chapel in Rome’s Santa Maria della Vittoria, Bernini’s The Ecstasy of St. Teresa represents an episode from the life of the saint as recorded in her spiritual autobiography. When we walk toward the chapel (figure 2) we see that on either side of us, on the side walls, there are what look like theater boxes. Saint Teresa. Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images. (See figure 3.) Bernini takes this account and produces pure theatre. No need to register, buy now! It is generally considered to be one of the sculptural masterpieces o… Marble (sculpture); stucco and gilt bronze (chapel). Gian Lorenzo Bernini, Ecstasy of Saint Teresa (study) JACQUES LACAN ON BERNINI’S TERESA You only have to go and look at Bernini’s statue [of Saint Theresa] in Rome to understand immediately that she’s coming, there is no doubt about it. We're 100% free for everything! The Ecstasy of St Teresa (1647-52) by Gian Lorenzo Bernini (1598-1680) was commissioned by Cardinal Federico Cornaro (1579-1653), who, in 1647, acquired the patronage of the left transept of Santa Maria della Vittoria, the newly-built church of the Order of the Discalced Carmelites. but had important ties to Rome. Indeed Bernini was himself a Jesuit, and a follower of the “Spiritual Exercises”, a handbook on how to achieve spiritual ecstasy, just as St Teresa had, which had been written by the founder of the order, Ignatius Loyola. And importantly, what’s happened is that we have immediately become a part of the work of art. Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images. He was "recognized as a prodigy when he was only eight years old, [and] he was consistently encouraged by his father, Pietro. Pages in category "Ecstasy of St Theresa by Bernini" This category contains only the following page. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying.[4]. One is Federico Cornaro, Cadinal of Venice and the patron who paid for the Cornaro Chapel. It's one of the greatest sculptures from the era of Baroque art, carved by the genial Bernini (1598-1680) between 1647 and 1652. The soul is satisfied now with nothing less than God. Located in the Santa Maria della Vittoria in Rome, Italy. In 1647, Gian Lorenzo Bernini was commissioned by the Cardinal Federico Cornaro to create a piece to be featured in the Cornaro Chapel of the Santa Maria della Vittoria of Rome. She believed that a spirit sent by God came to her in a vision and pierced her with a flaming arrow, which in turn filled her with a deep, pleasurable pain that she equated with the love of God. Bernini’s Ecstasy of St Theresa, in Rome’s Church of Santa Maria della Vittoria is one of the most celebrated of his works. Gian Lorenzo Bernini, Ecstasy of Saint Teresa, 1647-52 (Cornaro Chapel, Santa Maria della Vittoria, Rome). Teresa is describing this in physical terms so that we can understand. Bernini’s works will also include the David figure, as well as the Ecstasy of St. Teresa, and St. Sebastian. Figure \(\PageIndex{2}\). He commissioned a work for his family’s chapel in Rome’s Church of Santa Maria della Vittoria. Cornaro asked Bernini to depict the spiritual visions of Spanish mystic Saint Teresa, who had recently been canonized in 1622. 6:07 - 6:11 that seem to be mysteriously illuminated from above. The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. Without papal patronage, the services of Bernini's studio were therefore available to a patron such as the Venetian Cardinal Federico Cornaro (1579–1653). Gian Lorenzo Bernini, Ecstasy of Saint Teresa, 1647-52 (Cornaro Chapel, Santa Maria della Vittoria, Rome). Ecstasy of Saint Teresa by Massimiliano Soldani. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing. Belongs to the Hermitage Museum's collection. An absolute baroque masterpiece by Gianlorenzo Bernini, hidden in small church close to Termini station in Rome. Favorite Photos. . Above, the vault of the Chapel is frescoed with an illusionistic cherub-filled sky with the descending light of the Holy Ghost allegorized as a dove. Italian. Paul in Ecstasy', which was replaced by Bernini's dramatization of a religious experience undergone and related by the first Discalced Carmelite saint, who had been canonised not long before, in 1622. Bernini was born on 7 December 1598 in Naples to Angelica Galante, a Neapolitan, and Mannerist sculptor Pietro Bernini, originally from Florence. Saint Teresa was the inspiration for one of Bernini's most famous sculptures, The Ecstasy of St. Teresa in Santa Maria della Vittoria, Rome. Other Sculptures by Bernini. Cornaro Chapel in the Church of Santa Maria della Vittoria, Rome, Italy. She lived during the middle of the sixteenth century in Spain—at the height of the Reformation. Santa Maria della Vittoria (our Lady of Victory) houses the spectacular sculpture by Bernini, the Ecstasy of St. Theresa. The others are posthumous portraits of members of the Cornaro family (many of them were also Cardinals). In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. But then a cardinal named Federico Cornaro came calling. Gian Lorenzo Bernini, Ecstasy of St. Teresa, 1652. It currently rests in Santa Maria della Vittoria Church in Rome… [8] Irving Lavin said "the transverberation becomes a point of contact between earth and heaven, between matter and spirit". 6:00 - 6:03 - So we have Teresa and the angel on a cloud. After losing favor with Pope Innocent X, Gian Lorenzo Bernini (1598-1680) struggled to find a patron for his artistic genius. Of all the Bernini sculptures in Rome, the Ecstasy of Saint Teresa is the most provocative, yet it’s considered one of the best. Bernini also created the trompe l’oeil sculpture Loggia of the Founders, located in the same chapel as Saint Teresa. Sculptural wonders abound in this relatively small church. Caroline Babcock speaks of Bernini's melding of sensual and spiritual pleasure in the "orgiastic" grouping as both intentional and influential on artists and writers of the day. A must-see for any visitor to Rome! Bernini was a popular, prolific sculptor and architect who won innumerable commissions from the wealthiest and most powerful patrons in Rome. Gian Lorenzo Bernini, Ecstasy of Saint Teresa, 1647-52 (Cornaro Chapel, Santa Maria della Vittoria, Rome). Bernini himself was proud of it, calling it “the least bad thing I have ever done.” The church isn’t far from the Rome Termini Train Station so it’s easy to get to the next day from our hotel on the Via Veneto. I include this chapel in tours such as Bernini… Other witnesses appear on the side walls; life-size high-relief donor portraits of male members of the Cornaro family, e.g. Gian Lorenzo Bernini, Ecstasy of Saint Teresa, 1647-52 (Cornaro Chapel, Santa Maria della Vittoria, Rome) This is Saint Teresa’s description of the event that Bernini depicts: Beside me, on the left, appeared an angel in bodily form…. [1] It was completed in 1652 for the then princely sum of 12,000 scudi. Blessed Ludovica Albertoni,1671-4, Church of San Francesco a Ripa, Rome GIAN LORENZO BERNINI February 17, … Both Teresa and angel’s fluttering draperies give us the idea of this movement: the angel’s really light drapery is moved by the wind while the thicker Teresa’s one is following the Saint laying down. Dr. Beth Harris and Dr. Steven Zucker provide a description, historical perspective, and analysis of Bernini’s Ecstasy of St. Teresa. Figure 1. Find Ian Knox for free! 5 This sculpture depicts one of the visions of Saint Teresa of Avila. Bernini was considered one of the great sculptors of his day. Take Metro A to Piazza Repubblica and it's just a short jaunt up the street (Via XX Settembre,17) from the Piazza. I had heard about Bernini's Ecstasy of St. Teresa, but was under the impression that it was in one of the churches in Trastevere, the church of San Francesco a Ripa. Behind them Bernini created a fabulous illusion of architecture—a coffered barrel vault, doorway and columns. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The angel smiles looking at St. Teresa’s face, whose features are characterized by closed eyes and parted lips. This he plunged into my heart several times so that it penetrated to my entrails. The Ecstasy of St. Teresa of Avila, by Giovanni Lorenzo Bernini, 1652, in the Church of Santa Maria della Vittoria, Rome, Italy The sculpture represents the first embodiment of the project and on it the traces of Bernini's energetic finger touch can still be seen. Teresa was the subject of a portrait by the Flemish master, Sir Pieter Paul Rubens (1615) now in the collection of the Kunsthistorisches Museum, Vienna. Located in the Santa Maria della Vittoria in Rome, Italy. The sculpture is the subject of the song "The Lie" from the, The sculpture and its image are frequently referred to in the novel, This page was last edited on 24 March 2021, at 18:22. The chapel is called the Cornaro Chapel, after the Cornaro family who controlled it and commissioned Bernini to sculpt Saint Teresa. Divine love has never looked so good. 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